Not yet ready to make the leap to HD? Media 100 SDe is a powerful SD NLE that features the easy to use Media 100 user interface with the cost-effective AJA OEM SDe board. This is the ideal solution for editors, event videographers, corporate video producers or anyone who want to be productive now, without closing the door on future expansion into HD. The flexible user interface is appropriate for any level of user experience. Media 100 broadens your creative horizons, while preparing you for an easy transition for future business opportunities. Existing Media 100 i users can easily bring their existing or le
^^ 8/10-bit Uncompressed SD PCI Express I/O Card
^^ 12-bit SD Analog Component/Composite/S-Video (via YC) I/O
^^ SDI Input, 2 Independent SDI Outputs
^^ 2-ch Balanced XLR AES Audio I/O, 24-bit
^^ 2-ch Balanced XLR Analog Audio I/O, 24-bit
^^ 6-ch SDI Embedded Audio I/O, 20-bit
^^ RS-422 9-pin Port for Machine Control
^^ Breakout Box Standard
^^ 3-year Warranty
^^ Title Suite
Media 100 SDe Highlights
Support for up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Title Suite files and still image data. Version 12 also allows editors to view a single frame of the composite of all tracks wherever the CTI (Current Time Indicator) is parked. This allows users to easily design complex effects and deep compositions by instantly viewing all graphics and video elements in both the subsampler window and on the output video monitor.
^^ Integrated Clip Preset FX. Edit and apply Effect and Title Suite Preset Filters directly to clips in the timeline, or modify and save preset filters for later use.
^^ Integrated Boris FX Transitions. Even more editing functionality with access to hundreds of award winning Boris Transitions.
^^ Composite and Layering Support. Up to 99 video tracks, each able to contain video, motion graphics with embedded alpha channels, Effects and Title Suite files and still image data.
^^ Timecode Burn-in. Burn in timecode to speed up editing or send proof to your clients.
A^^ dobe CS 3 Support. Media 100 adds Intel native Adobe After Effects Project Importer support. Take your Media 100 Program Timeline directly into Adobe After Effects.
^^ Progressive and Interlaced Supported Video Formats (Note: For Timeline Editing Only). 525i 29.97, 625i 25,720p 50, 720p 60, 1080i 25, 1080i 29.97, 1080i 30, 1080psf 23.98, 1080psf 24. 1080p 25, 1080p 29.97, 1080p 30.
^^ Advanced keying with real-time RGB, YUV, HSL modes and softness/offset controls. The powerful, intuitive keyer yields superior quality and is fast to use, with keyframeable opacity controls right in the timeline.
^^ RGB and YUV color correction in real time for SD images with live output to an attached broadcast monitor for accurate color picking and monitoring of adjustments.
^^ Real-time Effects at SD resolution include transitions, opacity control, keying, color correction, audio mixing, equalization, and broadcast-quality format conversion with aspect ratio conversion. Other SD effects render in near real-time utilizing the power of the Apple Mac Pro platform.
^^ The Media 100 SDe delivers the speed that post-production has been missing with All On One Mastering. The beauty of this system is that is allows you to capture images at full 8 or 10-bit Uncompressed resolutions, edit and apply effect in real-time. If storage or drive space is a concern the system allows users to capture images at low or compressed resolution, edit and apply effects in real time, and then recapture at any resolution.
^^ Signal I/O flexibility: Whether you're in broadcast or not, you are dealing with transition. Analog to digital. 4:3 to 16:9. You need a rock-solid SD system which allows you to integrate BetaCam SP and a variety of SD formats. You need to work like you always have while you make changes for the future. Media 100 bridges the gap, offering output for component analog video, and SDI (SMPTE 259). We understand where you've been and where you're going.
^^ Compatibility with a wide number of codecs at both SD resolutions. Most remarkable is the ability to seamlessly mix codecs in the same SD timeline, where the system's native 10-bit uncompressed media can be combined in real time with images created with other codecs including Animation, DV, 8/10-bit Uncompressed 4:2:2, DVCPro, DVCPro 50, DVCPro HD and our own 844/X and Media 100 i MJPEG, Apple Pro Res 422 and Apple Pro Red (HQ) Collaboration with other digital artists takes on the drag and drop simplicity for which Media 100 is known.
The Media 100 SDe is both media and timeline-compatible with earlier generation Media 100 systems, meaning programs, bins and media can move from Media 100 HD and Media 100 i to the Media 100 SDe systems quickly, easily, and without data degradation. In addition, a software codec and a native Media 100 HD codec allow QuickTime applications, such as Adobe After Effects, to create SD media on any system, from laptop to desktop, that is compatible with the Media 100 SDe system.